LITTLE FEAT
In his liner notes for
Join the Band, Little Feat's 2008, career-summing CD, Bill Payne described their
motivation for recording as a way of locating the band's influences. When you've
played together for nearly forty years and have the instrumental chops and ears
that Feat does, that's a lot of influences, so that they can work with friends
from Jimmy Buffett to Dave Matthews to Bob Seger to Emmylou Harris to Vince Gill
to Chris Robinson and Mike Gordon - and it all makes musical sense.
Little Feat is very possibly the last-man -standing example of what used to be
the norm in American music, a fusion of a broad span of styles and genres into
something utterly distinctive. Feat took California rock, funk, folk, jazz,
country, rockabilly, and New Orleans swamp boogie and more, stirred it into a
rich gumbo, and has been leading people in joyful dance ever since. Join the
Band sums up that story, and it's a complex and interesting one.
And it all began because in 1969 Frank Zappa was smart enough to fire Lowell
George from the Mothers of Invention and tell him to start a band of his own.
Paul Barrere, Feat's guitarist, wrote recently, "It's almost 33 years ago
exactly since Mr. [Lowell] George came to the front door of the Laurel Canyon
house I was livin' in, with that beautiful white "p" bass in hand, and asked if
I wanted to try out as bass player for his new band. As most who know the
story's end can tell you, as a bassist I make an excellent guitarist…"
Actually, there were about 18 bass players that first year - that seat took a
while to fill. George first settled on keyboard wizard Bill Payne, then added
drummer Richie Hayward and bassist Roy Estrada (also a Zappa vet). They were
quickly signed by Warner Bros., and began working on the first of 12 albums with
that venerable company.
The first album, Little Feat, featured the instant-classic tune "Willin'," and
the follow-up Sailin' Shoes added "Easy to Slip," "Trouble," "Tripe Face
Boogie," "Cold Cold Cold" and the title track to their repertoire. Estrada
departed, and the band signed up (on guitar!) Paul Barrere, Sam Clayton
(percussion) and Kenny Gradney (bass), and the new guys are still around.
1973's Dixie Chicken gave them the title track and "Fat Man in the Bathtub," as
good a blues as any rock band's ever written. The hits kept coming: the title
track from Feats Don't Fail Me Now (1974) and The Last Record Album (1975),
which included "Rock and Roll Doctor," "All That You Dream," and "Oh, Atlanta" -
another Southern-based winner (pretty good for a bunch of guys from L.A.! In
1977, Time Loves a Hero delivered the classic title song, and their career to
that point was summed up with the live Waiting for Columbus, truly one of the
best live albums rock has ever heard.
Success is hard. It cost Feat their founder, Lowell George, who passed in 1979
while working on Down on the Farm. And it cost them, temporarily, their joy;
shortly after, they disbanded.
In 1986, Barrere and Payne met up in a chance jam session, and found that they
could still find that inspiration. What they had written in "Hangin' On To The
Good Times Here" - "…although we went our own ways, we couldn't escape from
where we came, so we find ourselves back at the table again, telling stories of
survivors and friends" - was of course true, as with any righteous song - and in
1988 they hit the road again, where they've been ever since, joined by Craig
Fuller on vocals and Fred Tackett on guitar. Let It Roll re-introduced them to
the world, and was followed by Representing the Mambo and then Shake Me Up.
Craig left and Shaun Murphy joined from 1993 - 2009; bringing her feminine
energy and powerful blues vocals.
Live from Neon Park - the name was a tribute to the album cover artist most
often associated with Feat - was a two-CD set taken from shows at legendary
venues like San Francisco's Fillmore Auditorium, and Portland (Oregon)'s
Roseland Ballroom. The studio albums Under The Radar and Chinese Work Songs
added new favorite songs, especially "Calling The Children Home" and "Just
Another Sunday," along with creative covers of Dylan, The Band, and Phish songs.
In the early part of the new millennium, Feat started their own Hot Tomato
Records and began to share their rich archives with their fans, producing the
double CD collections of rarities Raw Tomatos and Ripe Tomatos from both fan and
band tapes. 2002 also yielded Live From the Ram's Head, a two-CD acoustic show,
and in '03 came Down Upon the Suwannee, a live show recorded on the banks of the
river at the Magnolia Festival in northern Florida. Hot Tomato also gave the
musicians the freedom to deliver solo work, as well, first with Fred Tackett's
In A Town Like This, and then Bill Payne's Cielo Norte, an intimate, lyrical
marriage of keyboards.
Little Feat's rich legacy was acknowledged at the 25th anniversary of the
monumental live album Waiting for Columbus when Rhino Records put out a special
two CD edition of the original concert, plus outtakes, along with Hotcakes and
Outtakes: 30 Years of Little Feat, a four-CD, 83 track boxed set featuring hits
from all of Feat's albums as well as alternate takes and rarities from a rich
past, which has included playing with everybody from Bob Dylan to Beck, Willie
Nelson to Bonnie Raitt, Robert Plant, John Lee Hooker, and…you name it.
And now there's Join the Band, in many ways a summing up of all that's preceded
it. Bill Payne said it was about locating their influences. In some ways, it
documents the way they've influenced the musicians who listen to them. And it
certainly documents a musical career.
You can go a number of ways when you spend your life on the road. You can get
eaten up by the stresses and quit, or just die inside and get bitter and think
you're owed something. Or you can hold on to your music and your friends and the
joy of the people out front and keep the priorities straight the way the six
Featsters have.
Almost two score years later, they've been up and they've been down and they
know where they belong - standing or sitting behind their instruments, playing
for you. Join the Band will tell you that story - up to now. Because the end is
not in sight.
Website:
www.littlefeat.net
MySpace:
www.myspace.com/littlefeat
     
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